English Influence in Norwegian and Swedish Figuresculpture in Wood 1220-1270.

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Andersson, Aron (1919-1984).
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Stockholm, Esselte AB, 1949. 4:o. 318 s., (1) kartbl. Illustrerad. Rödbrunt halvskinnband (Sture Werner) med ryggtitel i guld, marmorerat pärmpapper. Främre omslag medbundet. Välhållet exemplar. Stämpel ‘Konsthögskolans bibliotek / Ref. ej hemlån’ på främre pärmens insida. Ur Einar Hansens boksamling, med hans nummeretikett ‘28355’ på bakre pärmens insida.

650 kr

Utkom även i en bokhandelsupplaga. [Kungl. Vitterhets-, historie- och antikvitetsakademien. Monografier 35]. Engelsk text. Innehåll: The Development of English Figure Sculpture during the Period 1220-1270 and Some of Its Characteristics ('The Wells School'; 'The London School of Purbeck Marble'; 'The Westminster School'); English Influence in Norwegian and Swedish Figure Sculpture in Wood 1220-1270 (Pre-Requisites; Two Imported English Works and a Native School of Sculpture in the Trondheim Region; The Madonna from Hove Church and Further Evidence of a Bergen Workshop in the Reign of Håkon Håkonsson; The Master of Enebakk, and Related Norwegian Works; St. John from Heggen and Classicism; The Anglo-Byzantine School of Manuscript Painting at the Middle of the 13th century and Corresponding Works of Sculpture in Norway; The French High Gothic and the Anglo-Norwegian Sculptural Tradition; English versus French Influence in Swedish Wooden Sculpture); Index of Medieval Monuments and Personalities; Quoted Literature; Map of Norway and Sweden.

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