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Origins, imitation, conventions. Representation in the visual arts.

Origins, imitation, conventions. Representation in the visual arts.

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Ackerman, James S.
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Cambridge, The MIT Press, 2002. 8:o. xij, (2), 328 pp. Illustrated. Publishers red cloth with illustrated dustjacket. Owners signature ‘Olle Svedberg’ in pencil on the flyleaf. From the library of professor Olle Svedberg.

550 kr

Contents: Preface; On the Origins of Art History and Criticism; The Origins of Architectual Drawing in the Middle Ages and Renaissance; Leonardo da Vinci’s Church Designs; On the Origins of Architectual Photography; Imitation; Art and Science in the Drawings of Leonardo da Vinci; The Aesthetics of Architecture in the Renaissance; The Influence of Antiquity on Italian Renaissance Villas; Daniele Barbaro and Vitruvius; Palladio: Classical in What Sense?; Thomas Jefferson and Italy; The Conventions and Rhetoric of Architectual Drawing; Index.

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